I believe it is almost an event. Or is that word darkest misleading the reader. But these woods do not seem particularly wild.
The poet is aware that the woods by which he is stopping belong to someone in the village; they are owned by the world of men. The last line is repeated, however; and while at first it seems little more than a literal reference to the journey he has to complete and so a way of telling himself to continue on down the roadthe repetition gives it particular resonance.
Indeed, critics sometimes set his teeth on edge with intimations about personal themes in the poem, as if it expressed a wish quite literally for suicide or marked some especially dark passage in the poet's life.
There is no reason to suppose that these influences are benignant. The Work of Knowing: In what ways do we need each other. What may seem to most readers hardly a metapoetical lyric actually speaks to the central concern of the poet as a poet when the form of the poem is taken as its theme.
The artfulness of "Stopping by Woods" consists in the way the two worlds are established and balanced. The woods are lovely, dark and deep, But I have promises to keep, And miles to go before I sleep, And miles to go before I sleep.
Or does the poem merely describe the temptation to sit and watch beauty while responsibilities are forgotten—to succumb to a mood for a while.
Form The poem consists of four almost identically constructed stanzas. During Frost's own lifetime, however, the matter was often handled much less sensitively.
In this second stanza the unbroken curve of rhythm adds to the sense of moving imperceptibly into a spell-world, as we dimly note the linking of the rhymes with the first stanza. Some poetic devices such as meter and rhyme are so well represented in the general vocabulary as to need little comment, but subtler effects that poets presumably put into their work, and that readers or listeners get "by feel," may benefit from a closer, and perhaps more specialized, analysis.
The rhyme scheme contributes to the play. Both worlds have claims on the poet. The trap is the poem, which snaps back at us and catches our fingers with the slow revelation of its betraying our sing-along into wisdom.
Each line is iambic, with four stressed syllables: Then was the fear a little quieted That in my heart's lake had endured throughout That night, which I had passed so piteously. The repetition of "sleep" in the final two lines suggests that he may succumb to the influences that are at work.
Snow falls in downy flakes, like a blanket to lie under and be covered by. None of this is resolved; it is kept in complementary suspension. The notable exception to this pattern comes in the final stanza, where the third line rhymes with the previous two and is repeated as the fourth line.
The recognition of the power of nature, especially of snow, to obliterate the limits and boundaries of things and of his own being is, in large part, a function here of some furtive impulse toward extinction, an impulse no more predominate in Frost than it is in nature.
Symbolism in Stopping by Woods on a Snowy Evening by Robert Frost Many people consider Robert Frost to be one of America's greatest poets, and one of his best known poems is "Stopping by Woods on a Snowy Evening".
"Stopping by Woods on a Snowy Evening" is a poem written in by Robert Frost, and published in in his New Hampshire volume.
Imagery, personification, and repetition are prominent in the work. In a letter to Louis Untermeyer, Frost called it "my best bid for remembrance".
Stopping by Woods on a Snowy Evening Colormark & Analysis Literary Devices Detail "The woods are lovely, dark and deep" Speaker is intrigued by and tempted to stop by these attractive woods, possibly leading him to death.
The speaker is stopping by some woods on a snowy evening. He or she takes in the lovely scene in near-silence, is tempted to stay longer, but acknowledges the pull of obligations and the considerable distance yet to be traveled before he or she can rest for the night. Like the woods it describes, the poem is lovely but entices us with dark depths—of interpretation, in this case.
It stands alone and beautiful, the account of a man stopping by woods on a snowy evening, but gives us a come-hither look that begs us to load it with a full inventory of possible meanings. "Stopping by Woods on a Snowy Evening" is written in a very deliberate meter and rhyming scheme.
First, the meter is iambic tetrameter, meaning that each line is composed of four iambs, or "daDUM.A strong temptation in stopping by woods on a snowy evening